Premiere Pro Guru: Fixing Video Color and Exposure Problems
Created By
Richard Harrington via LinkedIn Learning
- 0
- 2-3 hours worth of material
- LinkedIn Learning
- English
Course Overview
Learn how to fix color, tone, and exposure issues using Premiere Pro.
Course Circullum
Welcome
- Fixing color and exposure problems in video with Premiere Pro
- What you should know before watching this course
- Using the exercise files
- Set up a color correction workspace
- Using the waveform monitor
- Using the vectorscope
- Using the RGB Parade
- Toggling the Lumetri effect to compare
- Using multiple Lumetri effects to organize adjustments
- Using adjustment layers in Adobe Premiere Pro
- Adding masks to the Lumetri effect
- Using the Comparison View in Adobe Premiere Pro
- Matching color and exposure with the Comparison View
- Applying an input LUT
- Fixing your white balance
- Getting a properly toned image
- Restoring the correct saturation
- Saving basic corrections as an input LUT
- Applying a Lumetri correction to a master clip
- Applying a creative Look
- Adjusting film qualities
- Sharpening your video
- Adjusting color stylistically
- Split toning for shadows and highlights
- Controlling the vignette effect
- Saving creative corrections as a Look
- What is a curve?
- Using RGB Curves
- An introduction to Hue Saturation curves
- Working with the Hue vs. Saturation Curve
- Working with the Hue vs. Hue Curve
- Working with the Hue vs. Luma Curve
- Working with the Luma vs. Saturation Curve
- Working with the Saturation vs. Saturation Curve
- Balancing color with color wheels
- The role of secondary correction
- Creating a selection for secondary correction
- Refining a selection to avoid jitter
- Revisiting curves for secondary color correction
- Tracking masks for advanced secondary color correction
- Copying, pasting, and removing attributes
- Creating presets
- Managing Looks and LUTs
- Storing LUTS in a library
- The Levels effect
- Relighting a scene with Lighting effects
- Stabilizing exposure with the Color Stabilizer effect in After Effects
- The Change Color effect and Change to Color effect
- Neutralizing color with the CC Color Neutralizer in After Effects
- Adjusting foreground and background with layers and the RotoBrush tool
- When to keyframe an effect
- Adding keyframes
- Smoothing keyframe transitions with handles
- Fixing overexposed footage
- Fixing underexposed footage
- Adding a stylized vignette or border
- Adding contrast with a black and white effect
- Why shoot Raw video?
- Working with a .R3D file
- Why legalize?
- Using the Video Limiter effect
- Applying the limiter when exporting
- Next steps
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This Course Include:
Welcome
- Fixing color and exposure problems in video with Premiere Pro
- What you should know before watching this course
- Using the exercise files
- Set up a color correction workspace
- Using the waveform monitor
- Using the vectorscope
- Using the RGB Parade
- Toggling the Lumetri effect to compare
- Using multiple Lumetri effects to organize adjustments
- Using adjustment layers in Adobe Premiere Pro
- Adding masks to the Lumetri effect
- Using the Comparison View in Adobe Premiere Pro
- Matching color and exposure with the Comparison View
- Applying an input LUT
- Fixing your white balance
- Getting a properly toned image
- Restoring the correct saturation
- Saving basic corrections as an input LUT
- Applying a Lumetri correction to a master clip
- Applying a creative Look
- Adjusting film qualities
- Sharpening your video
- Adjusting color stylistically
- Split toning for shadows and highlights
- Controlling the vignette effect
- Saving creative corrections as a Look
- What is a curve?
- Using RGB Curves
- An introduction to Hue Saturation curves
- Working with the Hue vs. Saturation Curve
- Working with the Hue vs. Hue Curve
- Working with the Hue vs. Luma Curve
- Working with the Luma vs. Saturation Curve
- Working with the Saturation vs. Saturation Curve
- Balancing color with color wheels
- The role of secondary correction
- Creating a selection for secondary correction
- Refining a selection to avoid jitter
- Revisiting curves for secondary color correction
- Tracking masks for advanced secondary color correction
- Copying, pasting, and removing attributes
- Creating presets
- Managing Looks and LUTs
- Storing LUTS in a library
- The Levels effect
- Relighting a scene with Lighting effects
- Stabilizing exposure with the Color Stabilizer effect in After Effects
- The Change Color effect and Change to Color effect
- Neutralizing color with the CC Color Neutralizer in After Effects
- Adjusting foreground and background with layers and the RotoBrush tool
- When to keyframe an effect
- Adding keyframes
- Smoothing keyframe transitions with handles
- Fixing overexposed footage
- Fixing underexposed footage
- Adding a stylized vignette or border
- Adding contrast with a black and white effect
- Why shoot Raw video?
- Working with a .R3D file
- Why legalize?
- Using the Video Limiter effect
- Applying the limiter when exporting
- Next steps
- Provider:LinkedIn Learning
- Certificate:Certificate Available
- Language:English
- Duration:2-3 hours worth of material
- Language CC: